I've done a lot of theater with Marina and therefore taken a lot of pictures of her, so taking her senior portraits was just an extension of what I've been doing for the past several years anyway. It's pretty hard not to take a good picture of Marina.
Follow me @kgtunney on Twitter and Instagram, and see more of me at kgtunney.com!
Monday, October 28, 2013
Friday, September 20, 2013
Busking
For this week's centerpiece at the Collegian, we did a story about buskers - people who play music on the street, usually with an instrument case in front of them for change and bills. I got to hang around a few guitar players on College Avenue and put together this video of musician Luke Cimbala and one of his pedestrian fans.
For the story by Mark Marino:
http://www.collegian.psu.edu/arts_and_entertainment/article_714cea44-2185-11e3-9cf8-0019bb30f31a.html
Buskers of State College from The Daily Collegian on Vimeo.
For the story by Mark Marino:
http://www.collegian.psu.edu/arts_and_entertainment/article_714cea44-2185-11e3-9cf8-0019bb30f31a.html
Buskers of State College from The Daily Collegian on Vimeo.
Saturday, August 31, 2013
Rock and Roll Camp
I shot this over two days for the Post-Gazette. It was a Rock 'n' Roll camp in Ambridge, Pa. put on by the Granati brothers. It was a great camp for the kids - they played some classic music, got real-world producing and playing advice, and hung out with people who know and work in the industry every day. I wanted to go to camp after I finished shooting it.
Tuesday, April 23, 2013
Faith In Numbers
Faith in Numbers from psucommedia on Vimeo.
I edited this video for a group project about religion in Central Pa. Most of the footage is by Jen Swales (some is by me) and most of the editing was by me (some was by Jen). I'm working on my own project about missionaries, which will be forthcoming. Just... as soon... as I finish it.
Monday, April 22, 2013
Thursday, March 28, 2013
Profile on a Band Director
Look, it's the third quadrennial (except every 100 years, except every 400 years) Throwback Thursday! I wrote this profile way back in 2011 for Comm 260. I never gave it a title, so forgive me:
Good Guy Greg
Gregory Drane is dog-tired. He has a six-week-old baby, Gregory Drane, Jr., at home. He splits his time teaching, assistant conducting the Blue Band for football games, leading the Pep Band and the Volleyball Band, and managing inventory and arranging music for his band members. His schedule would stagger any ordinary person, and Drane’s job requires him to be energetic not for himself, but for stadiums of thousands of fans.
He illustrates his point with a story about a volleyball game a few years ago. It was ten o’clock at night and Rec Hall was sweltering hot. The Volleyball Band had been standing for the entirety of the game, the fourth set of which was stretching into the night.
“You could see the sweat dripping down,” he says. “Most everybody was tired, and I’m still egging them on to cheer for our team, to support our team to victory. And oftentimes they can see it in my eyes. And I’m like, ‘I’m just as tired as you are, but I’m still trying to show my enthusiasm, because that’s what we’re there for.’”
Drane demands a lot from his students, but it’s impossible for them not to rise to the challenge when he is in charge.
Matt Wagner, the president of the Blue Band, emphasizes the energy Drane brings to the stands.
“If the team’s talking behind or needs a little pick-me-up,” Wagner says, “he’ll get us up on our feet to show the students that the band’s still there, the band’s still cheering them on. He gives us the energy to go on even though there might not be the energy to go on at that point.”
Drane, a graduate of Bethune-Cookman University in Florida, has had to excel because of challenges he’s faced as a band director in the Big 10; partly because he is African-American, but mostly because he was so young when he started.
“When I first became assistant director, I was maybe 25, 26 years old,” Drane says. “I’d go into these meetings of the Big 10 band directors, and everyone was 20 years older than me. So that was a challenge, feeling like they were looking and thinking ‘Who’s the young guy?’ But I also took that as ‘You know what, I’m doing what I’m supposed to be doing, I’m on the right track to get where I want to go.’”
Drane, a saxophonist, has known that he wanted to be a band director since he was in high school.
“I knew I’d have to get a graduate degree,” he says, which lead him to Penn State. “I came up for grad school, got my Master’s degree, and was asked to stay on as the assistant director. At the time there was no assistant director, so that was definitely a needed position.”
Since Drane arrived, the fall Athletic Band and the Pep bands have “grown exponentially from what they were,” according Caleb Rebarchak, one of Drane’s graduate assistants. “They went from 30 people to 150 people.”
“He’s very encouraging with the students,” says Rebarchak. “That being said, he’s not afraid to let them know when something can be better. But he does it in an encouraging way that doesn’t put the group down. He gives them a compliment;< then ‘despite that, here’s something you can fix.’ Then he compliments them again. It’s a compliment sandwich.”
Matt Alosi, another graduate assistant, says “he’s great. He’s taught me so much I can apply to teaching my own high school band, especially about keeping them motivated in the stands.”
His huge personality in the stands has inspired students to spawn an Internet meme, “Good Guy Gregory Drane,” where a photo of him is overlaid with a variety of captions.
“STUDENT WANTS BAND TO PLAY NEWEST SONG – [GREG] ARRANGES IT OVERNIGHT.”
“94 AND HUMID? STILL KEEPS COOL!”
He isn’t entirely sure what to make of the adulation.
“I did see a couple of them,” he says. “I thought it was pretty funny. Then I thought ‘hold on, are they making fun of me? Should I be flattered?’ And the students say it’s a little bit of both. So it is flattering. I think there was one that said ‘Team down by 17 points, Greg Drane is still cheering.’ But I think that’s our job - especially when the team is down. It’s easy to cheer when you’re winning, but it’s not as easy to cheer when you’re losing. And that’s when they need you the most.”
The students see how much of himself Drane puts into the bands, and one of the memes they made encapsulates his philosophy toward directing. Written on a photo of Gregory Drane directing the Blue Band in Beaver Stadium:
“OUR TEAM IS LOSING – STILL THE BEST LOOKING CHEERLEADER.”
Wednesday, March 20, 2013
Roller Skating at the HUB
This is a video I threw together for an event at Alumni Hall - SPA sponsored roller skating - along the lines of my minigolf video. The lighting, believe it or not, was even worse than the blacklight for my minigolf video, but my the time I got to Terrance Dowell I had improvised a light with my iPhone and a scrap of notebook paper.
This meant that I was holding a camera in one hand while I held a microphone in my other hand while I positioned the paper and light with my other hand. I need to figure out some tripod/lighting options here.
Roller Skating in Alumni Hall from The Daily Collegian on Vimeo.
Anywho, this video brought up a question of music rights - if I'm trying to do a video like this, where a DJ is an inescapable presence, what's the protocol for having all that popular, obviously copyrighted music in the background?
Toward the end of my ballerina video, I used some Tchaikovsky music to tie everything together, but Tchaikovsky's long-dead and his music (though not perhaps that specific recording) is out of copyright. I at least record my music at the event, shouts and noise and all, instead of using the original files, so the audio is representative of the scene.
I'm just not sure what the line is for fair use and how to avoid using copyrighted music when it's inescapably embedded in the scene. Cutting an interview is usually a disaster with this because each phrase has a different beat behind it, so I try to run another track underneath everything to at least maintain a consistent cacophony.
So, if you're a media law expert... what's the deal here?
This meant that I was holding a camera in one hand while I held a microphone in my other hand while I positioned the paper and light with my other hand. I need to figure out some tripod/lighting options here.
Roller Skating in Alumni Hall from The Daily Collegian on Vimeo.
Anywho, this video brought up a question of music rights - if I'm trying to do a video like this, where a DJ is an inescapable presence, what's the protocol for having all that popular, obviously copyrighted music in the background?
Toward the end of my ballerina video, I used some Tchaikovsky music to tie everything together, but Tchaikovsky's long-dead and his music (though not perhaps that specific recording) is out of copyright. I at least record my music at the event, shouts and noise and all, instead of using the original files, so the audio is representative of the scene.
I'm just not sure what the line is for fair use and how to avoid using copyrighted music when it's inescapably embedded in the scene. Cutting an interview is usually a disaster with this because each phrase has a different beat behind it, so I try to run another track underneath everything to at least maintain a consistent cacophony.
So, if you're a media law expert... what's the deal here?
Tuesday, March 19, 2013
Getting High in the Head House
Our COMM 469 assignment today was to go shoot a feature that made use of some of Andy Garcia's tips from his blog. I wandered around campus in my usual feature lather, then I walked by the greenhouse. I wasn't sure if anybody would be in there, or if it would even be unlocked, but I strolled right in and found a room full of students counting leaves in these little sample cups. I did lots of experimenting (regretfully, that's my horrible orange ladder on the floor) and contortions to figure out the angle for this shot, and the students were remarkably friendly (even as I almost flipped the table holding their entire class's experiment) as I swung from the rafters.
Dara Brown (sophomore-environmental resource management) counts leaves for a Biology 220 class in the Head House of Buckhout Lab on Tuesday. |
And since my wonderful photo editor Mara sits next to me in 469, I made it B/W in case it runs in tomorrow's Collegian. I was experimenting with dodging and burning here... I think I need to continue experimenting.
Dara Brown (sophomore-environmental resource management) counts leaves for a Biology 220 class in the Head House of Buckhout Lab on Tuesday. |
Sunday, February 24, 2013
THON Things and Poster Fronts
Stacia Hollingsworth cries as she reads a letter during mail call on Saturday morning. |
Stacia and her sister, Ebony Hollingsworth, laugh at a letter during Mail Call on Saturday at THON. |
I was only on the floor for a little while on Friday, since I was trying to edit through some video and write a paper on Uncle Tom's Cabin. If you've ever been to THON you'll understand why I didn't get very far with either. I still shot a little bit, and it was a good time to get in the THON shooting groove.
Saturday morning was productive. Mail call happened, which is when dancers get letters and packages from their various supporters. These can be as practical as snacks and deodorant or as emotional as letters from kids with cancer. I found one dancer, Stacia, who was an emotive person and I followed her through opening her packages. She laughed, she cried, I shot it all. It's great to find people who don't mind you quietly documenting them, and fortunately THON creates an environment that lets you shoot just about anything without surprising anyone. Occasionally people will spot you and pose, but there's so much going on that in a moment they'll go back to whatever they were doing, and you can delete those shots and shoot something candid and infinitely better.
At noon on Saturday afternoon, after a pep talk from Bill O'Brien, the THON kids' fashion show happened. While it was a great way for the dancers to get familiar with all the kids, the photo possibilities mostly consisted of little kids standing awkwardly at the front of the stage, so I hung around the back of the stage.
Earlier in the day I'd shot a little kid in a lion suit playing with squirt guns. His name was Layn Burger, and he was a Four Diamonds kid who had been treatment-free for five years. As a matter of course, I got his name, age, hometown, and a nice quote from his mother ("Without THON he wouldn't be here"). Over the weekend I reached a point where I'd photographed so many kids so many times that taking names was redundant, which was useful for situations where I wasn't able to get to the family to take their name.
Layn Burger, 7, hugs the Nittany Lion after his appearance in the THON fashion show on Saturday. |
I stuck around the Bryce Jordan Center until 3:00 Saturday afternoon, when our editor realized that a group of THON kids had gone across the street to the football facility for a Make-A-Wish excursion with the football team, and we didn't have a photographer there. So I snatched up my camera, sprinted through the Pegula Ice Arena construction zone, and found about 25 kids working out where a week earlier I'd filmed an open workout. I shot a few frames - kids working out, kids trying on uniforms, kids playing with football players - before Bill O'Brien arrived and Jeff Nelson kicked us out.
Beta Sigma Beta’s THON child Sam Creasy, 5, of Harrisburg, tickles Penn State defensive tackle Derek Dowrey (53) during a Make-A-Wish event at the Lasch Football Building on Saturday.
|
Penn State fullback Andre Dupree helps Trenton Sullivan, 2, of Hanover, do a pull-up at a Make-A-Wish event at the Lasch Football Building on Saturday during THON weekend. |
Anyway, it's probably as exhausting to read about this as it was to cover it, so without much further ado, I present people crying, the Nittany Lion taking a baby powder bath, and Mike the Mailman.
The Nittany Lion receives a 10-second massage as part of THON 2013's Slides of Strength at the Bryce Jordan Center on Sunday. |
Morale captain Dredeir Roberts and Mike the Mailman dance before THON's mail call on Saturday morning at the Bryce Jordan Center. |
So finally, Layn hugging the Lion went over pretty well at the office, so they blew it up for our first poster front in... a while? and now I have a foot-high stack of Collegians in my dorm room. It was a lucky shot to make; I wasn't planning on it, I barely had enough time to zoom in and focus, and I was only standing there because I wasn't shooting what THON wanted me to shoot. But I was shooting THON for 20 hours, and I was in the BJC for 40, so good things come to those who wait, I guess.
Hillel child Layn Burger, 7, of Elizabethtown, Pa., hugs the Nittany Lion after walking down the runway of the THON 2013 fashion show on Saturday at the Bryce Jordan Center. This is Layn's seventh THON, and his fifth treatment-free.
Images are property of The Daily Collegian. Don't steal, give us credit. Also thanks to Penn State College of Comm for lending me a D800 and some wicked shahp lenses, to John Beale for letting me take out the gear I wanted, and to the editors at the Collegian for continuing to like me.
Tuesday, February 12, 2013
Penn State Football workout
Penn State Football Open Workout from The Daily Collegian on Vimeo.
The Penn State football team held an open practice early Friday morning at the Lasch Building, and The Daily Collegian went along to check out the team's progress.
Wednesday, February 6, 2013
#TBT Marina's Soundslides
Throwback Thursday? I don't know if this will become a thing, but people throw First Annual events all the time and I'll be darned if thrown-together craft festivals or ceremonies have a monopoly on optimistic naming conventions. So welcome to the Second Weekly Throwback Thursday (the first one was on a Friday).
This is a Soundslides supplement I did for the video I posted earlier. I've been rooting through some old projects, so I thought I'd throw it up here.
The audio here is from an interview I did with Marina in 2012, when I made the video, but the images are from 2011, when she was playing Clara and I was taking pictures of "The Nutcracker" for the director.
I've been in a lot of stuff with Jeremy, and while he hasn't yet inspired me to do ballet, he is a hilarious person and talented dancer and he got me the gig to shoot his sister's wedding, so I'm contractually obligated to speak highly of him.
Fun Fact: all the hyperlinks in this post go to the same video!
This is a Soundslides supplement I did for the video I posted earlier. I've been rooting through some old projects, so I thought I'd throw it up here.
The audio here is from an interview I did with Marina in 2012, when I made the video, but the images are from 2011, when she was playing Clara and I was taking pictures of "The Nutcracker" for the director.
I've been in a lot of stuff with Jeremy, and while he hasn't yet inspired me to do ballet, he is a hilarious person and talented dancer and he got me the gig to shoot his sister's wedding, so I'm contractually obligated to speak highly of him.
Fun Fact: all the hyperlinks in this post go to the same video!
Monday, February 4, 2013
People Helping People
Diane Quinn, of Boalsburg, helps Jacob, 6, of State College, find a pair of shoes that he likes at St. Paul's Methodist Church's weekly shoe bank, which distributes over 500 pairs of shoes per year to children in the community. |
Diane Quinn, of Boalsburg, checks the fit of a new pair of sneakers for Jacob, 6, of State College, Pa. Quinn is a volunteer for the St. Paul's Methodist Church's weekly shoe bank, where children from the community are free to pick a pair of new shoes every six months. |
Samuel Martinez, 11, of Bellefonte, struggles to fit into a pair of Air Jordans at St. Paul's Methodist Church's shoe bank, as volunteer Lynn Phillips of Bellefonte looks on. In addition to his shoes, Martinez took home Shiloh as his free book.
I had completely forgotten what an ordeal shoe-buying was as a child until I shot this: having a battery of helpers pinching your toes, deciding which colors would show dirt the least, battling with your mother over cool vs. sensible shoes, and how tremendously difficult it used to be to pull off boots.
I still have trouble with boots. |
Friday, February 1, 2013
Getting a Tattoo
As part of a P.S. (weekend magazine) feature about tattoos for the Collegian, I went with a reporter to a tattoo shop in town, where I was really lucky to be given unfettered access to film someone getting a tattoo. This was Cristin Mitchell's tenth tattoo, but it was my first.
Getting a Tattoo at Tattoo Marks from The Daily Collegian on Vimeo.
This was a fascinating assignment because tattoos are naturally a visual medium, and because I'd never seen someone get a tattoo before. I'd had a faint idea that there was a vibrating needle involved and it stung, so it was extremely cool to be able to get right next to Cristin getting tattoed by Tim Sellers, of Tattoo Marks.
This was just a supplement for a longer story, but I'd really like to do more video about tattoos, mostly because filming them from a foot away is so rad.
Getting a Tattoo at Tattoo Marks from The Daily Collegian on Vimeo.
This was a fascinating assignment because tattoos are naturally a visual medium, and because I'd never seen someone get a tattoo before. I'd had a faint idea that there was a vibrating needle involved and it stung, so it was extremely cool to be able to get right next to Cristin getting tattoed by Tim Sellers, of Tattoo Marks.
This was just a supplement for a longer story, but I'd really like to do more video about tattoos, mostly because filming them from a foot away is so rad.
Sugarplum Fairy with a Bum Knee
Marina is a junior in high school who dances at a community theater, and she was preparing to appear as the Sugar Plum Fairy in the Nutcracker when I made this video. Marina planned to go to Point Park University, a performing arts school, until she snapped her IT band during her high school musical, an injury that seriously hindered but didn't end her dancing career. She talks about what it's like when your passion causes you pain, and the razor focus you need to dance well onstage.
Sugar Plum Fairy with a Bum Knee from Kelly Tunney on Vimeo.
I did this video for my Comm 481 final project last semester (December 2012). I learned a lot about shooting dynamic video here - mainly how tough it is to shoot wide-open on a homemade steadicam that's a monopod with a brick duct-taped to it. Later in the lab, I stared at it for about six hours straight when it was 97% done, unable to tweak the final sequence, until Erin Ryan, a film major/lab tech, helped me out with matching action.
Sugar Plum Fairy with a Bum Knee from Kelly Tunney on Vimeo.
I did this video for my Comm 481 final project last semester (December 2012). I learned a lot about shooting dynamic video here - mainly how tough it is to shoot wide-open on a homemade steadicam that's a monopod with a brick duct-taped to it. Later in the lab, I stared at it for about six hours straight when it was 97% done, unable to tweak the final sequence, until Erin Ryan, a film major/lab tech, helped me out with matching action.
Tuesday, January 15, 2013
A Cosmic Minigolf Video
Cosmic Minigolf at The HUB from The Daily Collegian on Vimeo.
So I shot and edited this on Tuesday evening as sort of an inaugural multimedia story for myself at the Collegian. The musical background makes sound editing continuity tricky, and of course the deafening music made the interviews trickier, but all in all I think it's a decent start.
Feel free to watch it in fullscreen too, I didn't buy a 60D for nothing.
Video copyright The Daily Collegian 2013, natch.
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